Perry had his first significant hits shortly thereafter, in the fast-paced early reggae style (AKA “skinhead reggae”), but really came into his own during the roots era of the mid-to-late ’70s, when the establishment of his Black Ark studio allowed for unfettered musical creativity, especially in the evolving dub format. As he’s been recording for over 50 years, there are several distinct phases to contend with, beginning with early ska work at Studio One – where he was chiefly employed as a vocalist – and the subsequent apprenticeship stages that led to him becoming an independent producer in his own right with the formation of the Upsetter label in late 1968. The recorded output of reggae shaman Lee ‘Scratch’ Perry forms something of a bottomless pit, a never-ending well of individual sounds that all bear his unorthodox hallmarks.
